| AMSTERMAN | | |
| Happy Days | | |
| De Hollanders | | |
| Iedereen behalve ik | | |
| Voel je de wind | | |
| Between Lines II | | |
| Into the Big World | | |
| Crimes of the Heart | | |
| Drift | | |
| The Pillowman | | |
| X | | |
| Zonde | | |
| Synergy | | |
| Soms heb je van die dromen die je wakker houden | | |
| The sun is a circle, the rest is fiction | | |
| A Touching Performance | | |
| Mycelium | | |
| TAKE OFF Festival | | |
| TROUWENS | | |
| IMPRINT PART 1 & PART 2 | | |
| Leisure Life | | |
| Hamlet | | |
| Is the fire still burning | | |
| BLACKBIRD | | |
| Playtime! 2012 | | |
| You can not lockdown my fantasies | | |
| Niche | | |
| Terrorisme | | |
| TE MIDDEN VAN HIER EN DAAR | | |
| th00SndR - Thousand Roses | | |
| L'art pour l'art 1 | | |
| An obscure but true piece of trivia | | |
| Man Zonder Zin | | |
| Amor Anar | | |
| Adem | | |
| YORKAFOWRU | | |
| Collective Writing Machine | | |
| In de eenzaamheid van de katoenvelden | | |
| SNDO Graduation Festival | | |
| Roerend Stil | | |
| De buitenste duisternis | | |
| Tulpen uit Turkije | | |
| Just Beat it | | |
| Onderweg | | |
| Oedipus (locatievoorstelling) | | |
| Uur Blauw | | |
| Super Magnifique | | |
| Hoop, een liedjesvoorstelling van Yorick Stam | | |
| GOVEND | | |
| Ouroboros | | |
| Vloed | | |
| 6459 | | |
| KODAM | | |
| Delitto | | |
| Phaedra | | |
| Almost Cut My Hair | | |
| SNDO Graduation works 2017 | | |
| Scenography, an exhibition | | |
| Wij doen ons best om u te vermaken | | |
| Een Poppenhuis | | |
| Niemand is ooit verloren | | |
| Wij slapen niet | | |
| Festival Finale | | |
| The seeking (of) F E L I X | | |
| ANTI-GONE | | |
| Geluk en Vrede Zy dit huis gegeven | | |
| Oedipus (zaalvoorstelling) | | |
| Daughter of unconscious fate | | |
| De Worm In Het Zijn | | |
| Tunnelvisie | | |
| The Sound of Light | | |
| Schedule | | |
| Playtime 2023 | | |
| Meet me in Lomark | | |
| Steve Jobs en het Mysterie van de IJsberen | | |
| Playtime! 2013 | | |
| IN DE NAAM VAN | | |
| Playtime 2017 | | |
| De dood van Ricky Martin | | |
| DAS Master Presentations '17: 'Time Between Dog and Wolf' | | |
| MIME eindvoorstelling: Harry | | |
| De vier laatste dingen | | |
| My name is nobody | | |
| De Louteringsberg | | |
| Lokale bevolking | | |
| Feniks | | |
| De Vader | | |
| Een ideale vrouw | | |
| Delta | | |
| Peggy Pickit ziet het gezicht van God | | |
| Sky, My Husband! | | |
| L.O.V.E. | | |
| DE AFTER | | |
| Ik was acht en ik voetbalde | | |
| Als dit het niet is | | |
| Berenice | | |
| FALLIN’ | | |
| De Bosjes | | |
| Romeo & Juliet | | |
| Half goed | | |
| De GroteMensenShow | | |
| PULANG - Sarah Sahertian & Sem Tanate - ENTER Festival | | |
| Wachten in Wonderland | | |
| Het Proces | | |
| Ik val/Me caigo | | |
| Still Life | | |
| History of the Spine | | |
| REPLICA VAN RIJKDOM | | |
| Totem | | |
| GLITTER MONSTER | | |
| Festival Playtime 2018 | | |
| SNDO Graduation Performance 2023 | | |
| Playtime! 2014 | | |
| Tour de Force | | |
| IN DE FIK - Een theatraal concert over grenzeloosheid | | |
| Als je stil zit komen ze vanzelf naar je toe | | |
| SNDO Graduation Show 2018 | | |
| Onbestemd | | |
| Kwartet | | |
| Koraal uit achterhoofd | | |
| Ze Hebben Vaak Geen Tanden Meer | | |
| Jake Credit: a cheap messed up pop theatre performance | | |
| Alleen/Alleen | | |
| Thinking, giving, birthing and stealing | | |
| Club Moskou | | |
| Het Schaduwhuis | | |
| Take Off - Inside Out | | |
| M.U.S.E. | | |
| STGM | | |
| The Queen | | |
| Mary Stuart, Queen of Scotland | | |
| THIS COULD BE A FOREST | | |
| Lost Landscape | | |
| I K B E N D E W I N D | | |
| Fraternité | | |
| MURWWW | | |
| Now, Not Now and Now | | |
| Onderonsje | | |
| When We Breathe | | |
| De Ziekte die Jeugd Heet | | |
| Concertfilm Snelweg - puntjudith | | |
| Vennootschap Vooruitblik | | |
| Ascension | | |
| PARADISE: SNDO Graduation Works 2024 | | |
| Hoop is dat ding met vleugels | | |
| A little bit of everything all of the time | | |
| Wij zijn | | |
| Dansers van Morgen 2024 | | |
| Vijand van het volk | | |
| Een koninkrijk voor een paard en de rest is stilte | | |
| n00b de musical - de documentaire, de final cut met deleted scènes | | |
| Playtime 2024 | | |
| Eiland | | |
| Pure & insignificant (horse) | | |
| Alice in Wonderless land | | |
| Reiterations | | |
| ℲUGA | | |
| Wat als ik verdwijn? | | |
| A suspended gesture from me to you | | |
| De Talkshow - Ready for Take Off | | |
| Edda & Avan | | |
| De Meervoudige Kamer | | |
| Some crosscuts of some of our improbable bodies | | |
| Rens Blonk: Togetherness | | |
| ER SCHUILT EEN HOOLIGAN IN MIJ | | |
| Cul de Sac | | |
| Boys don't cry | | |
| PINK BESTIARY: GLIMPSE | | |
| MTD - Blenard Azizaj 'human' | | |
| Lizzy & De Bacchanten | | |
| To the end | | |
| Mime Opleiding: Paradijsvertraging | | |
| Getting Tropical - worst version | | |
| Shifting Spaces | | |
| ATKA: Judith speaks French | | |
| le petit-déjeuner sur l'herbe (somewhere) | | |
| Eerst nog even een rondje draaien | | |
| Theaterdocent Verkort - CODE ROOD | | |
| Richting Oneindig | | |
| Ginger | | |
| ATKA 4: De Vreemdeling | | |
| ALALAZO | | |
| Schuinsmarcheerders | | |
| ATKA: Afdruk | | |
| Áσε τις μαλακίες (Cancel die bitch in het Grieks) | | |
| De laatste doet het licht uit | | |
| RELEASE THE HORSES | | |
| Lady White | | |
| Hoe wij gezien worden | | |
| too much in the head | | |
| Body On | | |
| Valoefeningen | | |
| BLISS -End-of- Year performance 2021 UC/JMD | | |
| Rhythm of the Night | | |
| Bechdeltest - All beauty must die | | |
| ULYSSES IS NIEMAND | | |
| ATKA: NO MERCY | | |
| JUNK | | |
| BOEM! ATKA Afstudeerfestival 2024 | | |
| Brave New World 2018 | | |
| KEN | | |
| De deur was per toeval nog open | | |
| PUHAHA | | |
| Some Explicit Polaroids | | |
| Recht op Romeo | | |
| Ephemeral Archives - the Forest | | |
| Fuckboy | | |
| PART 2: THE ITCHING SLICE | | |
| VERS | | |
| We Weten Alles Al | | |
| DAS Master Presentations '18 | | |
| James, Jaime, and Librada | | |
| SNDO Graduation Show 2018 | | |
| Voelen in Begrenzing | | |
| Artists like me | | |
| Physical Culture Lab | | |
| Playtime 2019 | | |
| TIME WILL TELL | | |
| punchline | | |
| Honey, I'm talking about devotion | | |
| Een glas vol stof | | |
| Deze ogen | | |
| ReConnect | | |
| V&D agenda’s en andere essentiële levensbehoeften | | |
| Ons vieren | | |
| The Boy Who Was Raised As A Dog | | |
| Meet the Method | | |
| Weerschijn | | |
| Vijand van het Volk | | |
| The Human Experience 2.0 | | |
| Scratch | | |
| Chengsterdam | | |
| Some cities are built inside | | |
| Docent Dans 4: OnGoing Festival 2024 | | |
| Staat van Geluk | | |
| Interdependence | | |
| Dance short film: Dit gaat nergens over | | |
| Marthe 1900 | | |
| Dance short film: B3fore Th3 3nd | | |
| GIF | | |
| SNDO Graduation Works 2019 | | |
| Dance short film: Boxed II | | |
| Hypnagogia | | |
| Dansers van Morgen 2019 | | |
| Dance short film: Congener [Con-ge-ner] noun | | |
| Explain 2019 | | |
| Dance short film: Sera, Sera – dansfilm in authentiek kasteel | | |
| ∆s | | |
| Der Bau | | |
| I've made up my mind, please don't confront me with the facts | | |
| A Way of Keeping Everything from Happening at Once | | |
| If you don't see the point, do a line. | | |
| WILDSTRAINING | IN THE FEARSOME ARMAMENTS | MILLENNIA | | |
| Versie X | | |
| Ik en honderdduizend | | |
| RETOUR AFZENDER | | |
| Sinnerman | | |
| WET ROCKS, BURNT SUGAR, RISING CLOUDS | | |
| DasArts Master Proof: Translating Lola | | |
| DE MOOISTE VERLIEZER | | |
| (Mijn Liefde) Dennis Kelly's Osama the Hero | | |
| Wanneer Stilte Spreekt | | |
| The Mermaid Manifesto | | |
| A DROP OF TEAR IN THE FIELD OF GLORY 1 & 2 | | |
| Funambulism | | |
| Playtime 2015 | | |
| Klote met hoofdletter Krukken | | |
| Baal | | |
| Oh dear, here comes trouble | | |
| Peer Gynt | | |
| The Big Unknown | | |
| MOMENTUM | | |
| (Some) Shapes of our Thoughts | | |
| Playtime 2025 | | |
| De Wilde Eend | | |
| Nacht Shift | | |
| ... because sometimes if you swim again across the pacific it starts to make sense | | |
| In Plaats van Verkering speelt Weerwolven | | |
| Metamorfosen | | |
| JMD - End of year performance 2015 | | |
| The Iron Man | | |
| DasArts Master Proof Presentations '15 | | |
| TUIN DER LASTEN | | |
| Attempts on her life | | |
| Drift | | |
| Bold in Motion 4 | | |
| Te midden van niets | | |
| BERT | | |
| Eindvoorstelling 5 o'clock class 2015 | | |
| Mag ik je gedachten vangen? | | |
| DasArts Presentation Marathon '15 | | |
| De Golven | | |
| Dansers van Morgen 2015 | | |
| Spiegelkind | | |
| PHI — A Play Researching Truth and Truthfulness | | |
| F3 | | |
| Circulair dementair | | |
| Class of 2025 - ATKA Afstudeerfestival 2025 | | |
| ONGOING The New Wave | | |
| Het Parfum | | |
| Een Carnaval | | |
| Het Troostcafé | | |
| pleasure play | | |
| Vrijen voor vrede | | |
| You Wouldn't Want Us To Know | | |
| Pijnstiller | | |
| Happy songs 4 sad people | | |
| Het Troostcafé | | |
| GO FUCK YOURSELF | | |
| Dolce Revoəl | | |
| ALLEEN VOOR VANDAAG | | |
| A Proper Finale | | |
| Kamer van de zoon | | |
| Spring Awakening | | |
| VASTE GROND | | |
| EINDSPEL | | |
| WOEDE - door Elfriede Jelinek | | |
| Orlando | | |
| Enkele berichten aan het heelal | | |
| UNDERGROUND | | |
| Stadszuur | | |
| Psychosis 4.48 | | |
| BETA | | |
| B O S | | |
| HOW 2 FLY | | |
| Beauty in the days of disappointment | | |
| WERELD ÉÉN | | |
| Roxanne | | |
| KIJUJU | | |
| Shopping and Fucking | | |
| Parabool 0x5 | | |
| De Wachter | | |
| Nuit Noire | | |
| Een klein licht | | |
| De begrafenis van een klootzak | | |
| Binnenin | | |
| Geen boro pasi naar het einde | | |
| IWLYIAYDG | | |
| Een brief aan de kelder | | |
| CANIBA | | |
| It's just a boy pretending to be a wolf pretending to be a king | | |
| INTO NOTHING | | |
| MUGISHA, when a grape gets through the crushing | | |
| Dromen | | |
| PLEINVREES#1 | | |
| True West | | |
| Constant Audience | | |
| WABI SABI | | |
| Daan Buringa Bedankt | | |
| Manifesten | | |
| Winter | | |
| Groter dan ik | | |
| THUMOS | | |
| DYING DAYS | | |
| Celebration of Life | | |
| GIVE-A-DANS! festival | | |
| The Rabbit Hole | | |
| ONGOING Festival: A Proper Take-off | | |
| DasArts Master Proof: In a time of disaster | | |
| I THINK I WILL BE HONEST WITH THEM SOON | | |
| DasArts Master Proof: Human Simulation | | |
| Korinthe, 2057 | | |
| DasArts Master Proof: Stones | | |
| Kommetje Liefde | | |
| Het is misschien al gebeurd | | |
| KOLLEKTIEF NARZIS | | |
| Die Fledermaus | | |
| SNDO HENOTIC Finale 2020 | | |
| SNDO Graduation works 2016 | | |
| En Voor Alle Anderen, die moesten gymmen in een broek uit de reservekast | | |
| MANNENDINGEN | | |
| Ontheemd | | |
| Follow or Fall Low | | |
| Playtime 2016 | | |
| ONBELEMMERD (en gracieus) | | |
| Je moet wat | | |
| There are things that have no name | | |
| Dansers van Morgen 2016 | | |
| WHEN STANDING ON A MOUNTAIN | | |
| OUR HOUSE | | |
| Marnixstraat Tweeëndertig | | |
| Büchner | | |
| Lowercase delta | | |
| HET DROIT DIVIN | | |
| Lieve, | | |
| Antigone | | |
| Something Sweet | | |
| Killing me Softly | | |
| Hamlet vs. Hamlet | | |
| MENS: 2.0 | | |
| Becoming | | |
| alles zwart | | |
| When In Silence | | |
| THE SECRET | | |
| Fort Europa | | |
| TANZMANSCHINE | | |
| Body Mode | | |
| Vuurwerk Festival | | |
| Je wordt verwacht | | |
| DRIE ZUSSEN | | |
| SNDO Graduation Performance Raoni Muzho Saleh | | |
| MAD VOICES | | |
| HEDDA | | |
| BUY BUY | | |
| The Making Of | | |
