This artistic research explores ways of using choreography for examining "negative" feelings (hopelessness, anxiety, apathy, exhaustion, depression, burnout etc.) as the significant socio-cultural features of today's neoliberal and capitalist society. I’m interested to research ‘depression’ as an affective register of social problems that chronically maintains the general state of silence, exhaustion and self-isolation of people, not allowing them to really understand the reasons for their psychophysical condition. The constant increase in overwork, the financial crisis, the underlying economic differences of the social strata, the ever-present political protests and "revolutions", the omnipresent corruption, the narrowing and disappearance of public sphere and the public good  – all burden nowadays emotional life of citizens, who are compelled to bear with it alone due to deprivation of state responsibility and social protection. Instead, society’s most ideal demand stands: a sovereign individual with the ability to create specific projects and agendas suitable for the corporate culture and market. Those who fail to respond to these needs by a lack of will, energy, or imagination are being pathologized as ‘depressive’ and medicalized. Departing from the views that social change must be bound to force, vigor, or perseverance, I see a stronger public recognition of depression discourse as a political state. It stands for public depatologization of such feelings, turning our individual issues into the social ones, and further contemplates new forms of communion, solidarity, knowledge production and joint political action in society.